itsallgoodinthemotherhood
In one word....OTHERWORLDLY........
windslyboy
windslyboy
Diversity of sonic moods in a beguiling compilation of creativity. Great job!
Favorite track: Go See.
Roggu
Roggu
Like a breath of smoky air, on a cold winters night. The wind whips your hair, you pull your collar up around your neck, put your head up and start moving.
They out there.
Favorite track: The Balance.
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好用收费便宜的梯子vpm-快连加速器app
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好用收费便宜的梯子vpm-快连加速器app
1. Maisha - Inside The Acorn 2. Ezra Collective - Pure Shade 3. Moses Boyd - The Balance 4. Theon Cross - Brockley 5. Nubya Garcia - Once 6. Shabaka Hutchings - Black Skin, Black Masks 7. Triforce - Walls 8. Joe Armon-Jones - Go See 9. Kokoroko - Abusey Junction
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好用收费便宜的梯子vpm-快连加速器app
A1. Maisha - Inside The Acorn A2. Ezra Collective - Pure Shade B1. Moses Boyd - The Balance B2. Theon Cross - Brockley C1. Nubya Garcia - Once C2. Shabaka Hutchings - Black Skin, Black Masks C3. Triforce - Walls D1. Joe Armon-Jones - Go See D2. Kokoroko - Abusey Junction
Includes unlimited streaming of We Out Here
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好用收费便宜的梯子vpm-快连加速器app
1.
Maisha - Inside The Acorn
05:57
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2.
Ezra Collective - Pure Shade【华硕S5300UN】最新报价_参数_图片_论坛_华硕S5300UN ...:2021-11-20 · ZOL中关村在线提供华硕S5300UN系列笔记本电脑所有单品的型号、报价、配置、评测、行情、图片、论坛、点评、视频、驱动下载等内容,众及华硕S5300UN系列笔记本电脑的经销商报价,为您购买华硕S5300UN笔记本电脑提供全面的参考
A primer on London’s bright-burning young jazz scene, this new compilation brings together a collection of some of its sharpest talents. A set of nine newly-recorded tracks, We Out Here captures a moment where genre markers matter less than raw, focused energy. Surveying the album’s running order, it could easily serve as a name-checking exercise for some of London’s most-tipped and hardworking bands of the past couple of years. Recorded across three long, fruitful days in a North West London studio, the results speak for themselves: they’re a window into the wide-eyed future of London’s musical underground.
The album bottles up some of the vital ideas emanating from that burgeoning movement. A reflection of how London’s jazz-influenced music has reached outward into new spaces, the sound of the record draws from a wide pool. There’s plenty of crossover between each of the groups, too, speaking to the close-knit circles which make up the scene; shared line-ups reflect the mutual cooperation and DIY spirit which are second-nature.
Ubiquitous, much-lauded saxophonist Shabaka Hutchings is the project’s musical director. His own recent projects span from South Africa-connected, spiritually-minded jazz players Shabaka and the Ancestors to Sons of Kemet, who match diasporically-connected compositions with viscerally-direct live shows. His input ties together a deft, genre-agnostic sensibility that’s shared through all the players on the record.
Nodding to spiritual jazz influences, Maisha’s ‘Inside The Acorn’ is a wandering, explorative rumination, balancing delicate washes of piano and percussion with sharp interplay between flute and bass clarinet. Ezra Collective – whose drummer and bandleader Femi Koleoso has toured with Pharaohe Monch – run a tight, Afrobeat-tipped rhythm on ‘Pure Shade’, with the final third changing gear into a melodic, momentous closing stretch.
On Moses Boyd’s ‘The Balance’, the drummer – who co-produced Zara McFarlane’s recent, critically-lauded album, as well as touring with the likes of Sampha – builds a steadily-paced, atmospheric creation, loosening up the rhythm and intensity as it progresses. Theon Cross – who’s part of Hutchings’ Sons of Kemet – starts his track, ‘Brockley’, with the solo, distinctive low rumble of his tuba. Winding and mesmeric, it sees tuba and sax lines winding together in rhythmic and melodic parallels.
Showing a similarly controlled approach, Nubya Garcia’s ‘Once’ is taut and carefully-poised, her tenor sax guiding a carefully-built energy to an explosive conclusion. Shabaka Hutchings’ ‘Black Skin, Black Masks’ is typically difficult-to-define: with an off-kilter, shifting rhythmic backbone, repeated phrases – mirrored between clarinet and bass clarinet – shape the track with an alluring hue.
Triforce’s ‘Walls’ is a performance in two parts: starting with Mansur Brown’s languorous, lyrical guitar, the second half switches up to a low-slung, g-funk-tipped groove. Joe Armon-Jones, whose ludicrous chops on the piano have seen him touring with the likes of Ata Kak, showcases earworm-like, insistent motifs on ‘Go See’, balanced with a playful, improvisatory approach with room for ad-libbing and solos a-plenty. Finally, taking a softer tact than many of the other entries, Kokoroko – whose guitarist Oscar Jerome has been making waves with his solo material – spin a lyrical, steady-paced meditation on ‘Abusey Junction’, matching chanted vocals with gently-played guitar.
Seriously!!! Been listening to this EP for months. Excellent intro for Ti-de; Uman and Adwa are such a tight groove but every version I’ve heard of Abusey Junction is a masterpiece!
Cheers from Canada :) smolka77
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Couldn't Wait To Tell You... by (Liv).e
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The Shadows and The Light by Quin Kirchner
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618ip伕理官网 by Carlos Garnett
featured on Bandcamp WeeklyJul 28, 2024
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Juan Pablo: The Philosopher by Ezra Collective
supported by 316 fans who also own “We Out Here”
So much life and so much energy. Awesome, accessible jazz Peter Edwards
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